Jesse Garcia: Trial & Error.

Kinderhook & Caracas is pleased to present:

Jesse Garcia: Trial & Error

Selected works curated by Steven Warwick

May 9 - June 7, 2014

Opening Friday May 9. 18-21h

Jesse Garcia (1975-2013) was an artist and filmmaker working in the fields of photography, political documentary and mixed media. Trial & Error is part of an ongoing series of projects on his life and work. Although this will be his inaugural public exhibition, Garcia often worked as a curator for political documentary festivals through his job at the NGO Transparency International as well as working on video editing for their advertising campaigns. His photography work was largely private and it is here that a selection of his archive is shown for the first time situated among various objects and ephemera he created or collected.

Garcia’s general approach to life and work was often scientific with the potential for risk. He was interested in sites of transition and subjects under construction, be it the ‘non-place’ (of airports, waiting rooms and taxis),  the autobiographical (as an American national growing up in Germany), or the political (documenting demonstrations, corruption and the days immediately around 9/11). The subject matter of the photos lends itself to archiving since they involve the recurring themes of collection (of products, of posters, of photos, of music, of systematic visual categories) and duration (clocks, travel, and an obsession with the construction sites outside of his window and around the city).

Whilst writing this text I was reminded of a phrase by philosopher Reza Negarestani about Inhumanism and Rationalism, in which he posits ‘a demand for construction, to define what it is to be human by treating human as a constructible hypothesis, a space of navigation and intervention’.

Just as the site of Garcia as a space of remembrance should not be mere nostalgia, but rather components to assemble thought aimed towards the future, so this exhibition is comprised of visual cues such as the metal cabinet (part supermarket, part archive), the record archive to be played by the viewer, and the construction piping, to be viewed and experienced as an unlocked archive, set in motion and reconfigured with current emotions, thoughts and experiences looking forwards.

On the occasion of this exhibition, two posters and a photographic edition are available that best encompass his work.

The exhibition continues at Martinique, the café next door, with a selection of Jesse’s music collection along with a video entitled “Déviation loop”, produced as a club visual for recording artist Heatsick.

-Steven Warwick.

Kinderhook & Caracas
Kreuzbergstr 42e, Berlin

Fri + Sat 2-6pm and by appointment

info@kinderhook-caracas.com